When a revolutionary cause hits the pop charts, it’s a fair indication that the cause is sunk. Pop stars don’t get behind campaigns requiring action, especially evil, American neo-imperialist, military-industrial action of the kind they’d prefer to write protest songs about. (In fact, there are more songs protesting that phantom phenomenon than songs opposing real dangers.) When a human-rights slogan is marketed as a three-minute rhyme set to a 4/4 beat, it means the artist has confirmed that the topic is yielding a safe degree of political inattention. There will be no risk of action beyond the purchasing of some music files. The true last resort in American foreign policy is consumerism.

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