Discords in the Music of Time by Herbert Howarth Men are received at their own valuation. By undertaking a chronicle of the last fifty years, by drawing out the…
Poet Out of Israel:The Odyssey of Pinhas Sadeh by Herbert Howarth Pinhas Sadeh is an Israeli poet who is virtually unknown to American readers—a circumstance Herbert Howarth tries to remedy in…
Unambo, by Max Brod by Herbert Howarth The first fifty pages of Unambo almost defeat the good will which is inspired by the name of Max Brod.
The Revolt: Story of the Irgun, by Menachem Begin by Herbert Howarth WHATEVER view you hold, or may have held, of terrorism and its place in the Israeli national struggle, you will…
Behind Winston Churchill’s Grand Style:Britain's Prophet of Doom and Defiance by Herbert Howarth FRANKLY, the cult of Churchill as a writer, with the acclamations and awards as his successive volumes appear, is not…
Flecker: The Poet and His East:“Shall I Never Be Home . . .?” by Herbert Howarth PROBABLY, as the phase of revaluation of the work of the first decade of this century comes round, James Elroy…
Israel’s Modern Poetry:New Voices, New Modes of Speech by Herbert Howarth It might be said that a fourth generation of writers is just rising in Israel.
Jewish Art and the Fear of the Image:The Escape from an Age-Old Inhibition by Herbert Howarth When interpreted by Gentiles, the commandment “Thou shalt not make unto thee a graven image. . . .” is usually…
An Evening with Israel’s Poets:Creative Voices in a Time of Trouble by Herbert Howarth “These people can teach us how to live,” said Bill Williams to me in an aside after dinner.
