COMMENTARY is an indispensable read on the Arab Spring, the Afghan war, the future of American conservatism, and all the other crazy stuff out there. But you already knew that. What I really love about it is that it’s a full-service operation, and its back-of-the-book guys–the fellows who write about music, literature, and all the things that make life worth living as the world goes to hell–are the best in the business. There is an observation in a Terry Teachout piece on the wonderful singer Nancy LaMott about “Moon River” that has stayed with me for almost two decades. I fished it out from the back of my mind to impress a gal at a Goldwater Institute reception only the other day, and it worked a treat. So thank you, COMMENTARY!

Likewise, my differences with the arts’n’culture crew unsettle me far more than the geopolitical ones: reasonable people can disagree on how large a nuclear arsenal those wacky mullahs should be permitted to own, but I’m still agog at the great Andrew Ferguson’s mystifying praise for the New York Times obituaries page a couple of issues back. That’s COMMENTARY for you–provocative to the end, on matters large and small. In these turbulent and dismaying times, we can all use a huckleberry friend waiting round the bend, in the mailbox each month and on the computer screen every morning. For any journal of opinion, as “Moon River” teaches us, there’s such a lot of world to see. COMMENTARY sees most of it with piercing clarity: it can’t know all the answers, but it asks all the right questions, and with great farsightedness. It deserves your wholehearted support.

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